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His creative passion is shared between cinema and music. A few years later, Petros would go on to meet Oscar-winning Walter Lassally, who would be his mentor in his first and subsequent cinematographic steps. Not only did he introduce me to art, he also introduced me to music. One of the first musical sounds I remember is haniotkka singing Erotokritos haniotuka on our trips from Chania to our land in Agia.
My contact with him gave me a more general artistic influence…. I am very lucky to still have Walter in my life and he continues to inspire me. When I first started he helped me to understand the cinema, to find exactly what I wanted to do. I am infinitely grateful for everything…. I believe that when someone does what they love, they do not care about other peripheral things.
It is all about the essence for them.
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It is absolutely natural. No one is proud just because he is breathing!
In Greece, when we talk about the cinema, we tend to focus on the director and the protagonists talents of the film. Do you believe that is somewhat unfair on everyone else involved in the haniotia of a film? A film is the director. The photographer cinematographer is asked to capture in a pictures what the director has in mind. If he has a different view then haiotika is a problem.
While making films is definitely a team effort, at the end of the day it is the art of the director. He is the conductor.
No one else can exist without him. He can exist on his own though. In Greece, the economic crisis has been a reality now for many years, and as we know cinema is a very costly art form.
How does a filmmaker survive in this environment? To endure the crisis and remain faithful to your artistic belief means that you really love what you do. So we all support one another so that the Greek cinema — haniotioa we love so much — can survive. Beyond that, thankfully, there is advertising are commercials …. Are there some things you only do for money and others haniotkia you do only for art or does every challenge create a gateway towards creativity and creation?
I believe that I am lucky that I only become involved in projects that I like. What I am concerned with however is quality. I want to be proud of every project that I am involved with. When we do something we love, we have to give it everything. You sing and play music which, as you say, is on an amateur level. Walter once told me a good movie should be easy to understand even when you remove the sound.
That is the power of cinema. Music is exactly the opposite. Just as the cinema takes you on a journey through images and creates haniktika, music does exactly the same without images. Their relationship is like the relationship between day and night. Without light there can be no darkness and without darkness there is no light. On an emotional level, they work together. However, the festivals are very important in the sense that they are celebrations where creators unite.
I remember two years ago when I was in the Film Festival in Drama. There was no sense ahniotika competition between the other creators. We were all friends. I met excellent filmmakers and other talented people who all shared one thing, a love for the cinema.
In Chania, Pantelis Voulgaris is currently making his new film, while Thodoris Papadoulakis just filmed his latest series here. Could Chania become a cinematic point of reference for filmmakers? Crete in general could. We all remember the commercial that Thodoris created for the Prefecture where a director tells a producer that he can make a film around the world on one single island. This is Crete, from one end to the other, it offers you everything.
It is a blessed place that is a unique natural setting.
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The only problem is that the State has done nothing so far to attract foreign productions. In England the UKfor example, they finance part of production in a variety of ways, whereas here all we do is ask for large sums of money ….
How hanootika you see the future? The future is created by us. If we believe in something, then the haniltika conspires to provide us with what we need and want. What would happen if live song was used to create a story? Your email address will not be published. This site uses Akismet to reduce spam. Learn how your comment data is processed. What have you kept from your acquaintance with him?
I am infinitely grateful for everything… He is also a man who teaches humility in his own way. Beyond that, thankfully, there is advertising are commercials … Are there some things you only do for money and others that you do only for art or does every challenge create a gateway towards creativity and creation?
In England the UKfor example, they finance part of production in a variety of ways, whereas here all we do is ask for large sums of money … How do you see the future?
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